#: locale=es ## Hotspot ### Tooltip HotspotPanoramaOverlayArea_C71D7573_D1DB_37CE_41D6_3551F01A25AE.toolTip = D. Juan Ramón HotspotPanoramaOverlayArea_DD837243_D355_2DCE_41CB_0B9D1BFCC8E8.toolTip = 1. Los Ponce de León: Territorios, Propiedades y Títulos HotspotPanoramaOverlayArea_C43F7509_D1DD_775A_41CA_335C9CF83258.toolTip = 10. La decadencia del Palacio (1730-....) HotspotPanoramaOverlayArea_DDD7FBD0_D355_12CA_41DF_63477DC039A4.toolTip = 2. Los Ponce de León : Señores de Marchena HotspotPanoramaOverlayArea_C01C06B7_D3B5_32B6_41D8_214562AB1958.toolTip = 3. La Alcazaba Almohade HotspotPanoramaOverlayArea_C3C72888_D3B5_1D5A_41E5_9DD3B6386188.toolTip = 4. De Alcázar a Castillo (1309-1542) HotspotPanoramaOverlayArea_C2FE71BB_D3BA_EEBE_41D3_D46727257D8A.toolTip = 5. El Palacio Renacentista I (1542-1573) HotspotPanoramaOverlayArea_C26A2DF6_D3BF_16B6_41CB_35E87EC702DC.toolTip = 6. El Palacio Renacentista II (1542-1573) HotspotPanoramaOverlayArea_C3223BAC_D3B5_135A_41E1_74BC3C1B4FC9.toolTip = 7. Del Palacio Renacentista al Barroco (1573-1630) HotspotPanoramaOverlayArea_C3716D82_D3CD_174E_41D4_B9E7161C6A73.toolTip = 8. Palacio Convento (1630-1673) HotspotPanoramaOverlayArea_C3E875E9_D3CB_36DA_41D8_A16BB2B4518B.toolTip = 9. El Palacio Cortesano (1673- 1730) HotspotPanoramaOverlayArea_9059177A_8445_432C_41CB_0EEC61E3ECF8.toolTip = Antonio Díaz Ramos HotspotPanoramaOverlayArea_9674E9D7_8444_CF64_419E_D67812812ECA.toolTip = Antonio Díaz Ramos HotspotPanoramaOverlayArea_9356DBE1_844F_435C_41DE_EC609B973B8F.toolTip = Coro HotspotPanoramaOverlayArea_C61983B9_D1D5_12BA_41CA_711BFEED54B2.toolTip = D. Juan Ramón HotspotPanoramaOverlayArea_C62170EB_D1DA_EEDE_41E9_2347B740BE00.toolTip = D. Juan Ramón HotspotPanoramaOverlayArea_C00CD5DF_D1DB_76F6_41E2_E47BF8D05F3C.toolTip = D. Juan Ramón HotspotPanoramaOverlayArea_C66FBAB9_D1D5_72BA_41BE_B977095B1217.toolTip = D. Juan Ramón HotspotPanoramaOverlayArea_C14E6D90_D0B5_174A_41A1_C266A9CB121B.toolTip = Entrada a la Exposición, Santa María la Chica HotspotPanoramaOverlayArea_E0D4B8D8_EE26_CD7D_41E5_183452174EB5.toolTip = Entrada a la iglesia HotspotPanoramaOverlayArea_CC25C207_D0D5_6D56_41DB_E5B60F50E273.toolTip = Foto de la fachada. 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HotspotPanoramaOverlayArea_C3E53740_D1D7_13CA_41E9_3FEFD090EEB0.toolTip = José María Díaz Luque HotspotPanoramaOverlayArea_C7E478A1_D1DD_1D4A_41D2_01BDC4E8E281.toolTip = José María Díaz Luque HotspotPanoramaOverlayArea_E181FDD2_EE23_C74D_41E9_649C764BB66F.toolTip = José María Díaz Luque HotspotPanoramaOverlayArea_C753D744_D1DD_13CA_41CF_72E1452A4DD0.toolTip = José María Díaz Luque HotspotPanoramaOverlayArea_C66958D0_D1D5_3ECA_4182_AD6B6A183865.toolTip = Juan Antonio Fernández HotspotPanoramaOverlayArea_E2442B3F_EE22_4333_41E0_2B44EA2A3FF1.toolTip = Maqueta, Arquitecto: Ismael Rodríguez López HotspotPanoramaOverlayArea_C277EE67_D1CD_15D6_41E1_25BE67531F6D.toolTip = Nave central HotspotPanoramaOverlayArea_916FDF2C_845F_C321_41DD_5A32BACB6F22.toolTip = Pasillo ---> Iglesia HotspotPanoramaOverlayArea_C090635A_D1DF_13FE_41E8_A6DB3E054F2D.toolTip = Pasillo ---> Patio HotspotPanoramaOverlayArea_9D636BB4_8445_4324_41D6_91A3935770AF.toolTip = Patio HotspotPanoramaOverlayArea_C0138FB3_D1D7_134E_41E0_58896249C732.toolTip = Presbiterio HotspotPanoramaOverlayArea_C1777490_D0B5_F54A_41E2_830A2AF4C8C1.toolTip = Salida a Plaza Santa María HotspotPanoramaOverlayArea_C3E779E1_D0B7_3ECA_41AD_56FE8D2DA5AF.toolTip = Santa María de la Mota, Puerta del Perdón HotspotPanoramaOverlayArea_C6EE69FC_D1DA_FEBA_41E5_C64044A5FBB2.toolTip = Sor Inmaculada HotspotPanoramaOverlayArea_C78FC82F_D1DB_3D56_41B5_6BED6B489B39.toolTip = Sor Inmaculada HotspotPanoramaOverlayArea_C7CF67CD_D1DD_12DA_41CC_61EAA61A4F46.toolTip = Sor Inmaculada HotspotPanoramaOverlayArea_C7CE0704_D1DB_334A_41A5_12ABB85F6408.toolTip = Sor Inmaculada HotspotPanoramaOverlayArea_C7F9DE7D_D1D5_35BA_41C4_346B76F38F34.toolTip = Sor Inmaculada HotspotPanoramaOverlayArea_C78F8955_D1DD_1FCA_41E9_6A50EC3FA055.toolTip = Sor Inmaculada HotspotPanoramaOverlayArea_C79D3779_D1DF_73BA_41C6_5226158E44AB.toolTip = Sor Inmaculada \ (Vicaría) 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Acupamar. ### Título tour.name = Exposición Santa Mª la Chica ## Ventana ### Cuerpo htmlText_C6BAE59A_D46B_5F29_41E9_07F2378707DD.html =
(Pedro, Pablo, y Magdalena)
Óleo sobre lienzo. Marco de madera policromada.
Primera mitad del s. XVII.
Pintura Flamenca con influencia de Rubens.
Colegio de Santa Isabel.
Marchena. Sevilla.


htmlText_DA0CB06C_D4A9_55E9_41DE_7C6C8702E6E7.html =
Alabastro policromado.
s. XVII. Anónimo siciliano.
Copia del original del circulo de Nino Pisano en Trapani,
Palermo (Sicilia) de finales del sigloXIV.
Convento de San Andrés.
Marchena. Sevilla.
htmlText_DBE4B8C6_D4A8_D519_41D8_F4F3D248A67B.html =
Alabastro.
S. XVI. Atribuida a Nicolás Cordier "il franciosino".
Estilo tardomanierista.
Parroquia de San Juan Bautista.
Marchena. Sevilla.


htmlText_C4CDE73B_D4A7_5B6F_41D8_194B83AF4639.html =
Madera dorada y materiales mixtos.
Enmarcados a comienzo del s. XVIII.
Distintas escuelas y periodos.
Destaca la Sagrada Familia de Luca Giordano.
Convento de la Purisima Concepción.
Marchena. Sevilla.
htmlText_D68F9B72_C5A3_9419_41A1_886C0B7782DA.html =
Pintura sobre pizarra. Marco madera dorada.
s. XVII Francisco Pacheco.
Convento de San Andrés.
Marchena. Sevilla.
htmlText_C16643A4_D36E_0345_41E1_20CB1BA94A45.html =
Plata con sobredorados en el Cristo, la cartela y la calavera.
Primera mitad del s. XVIII. Anónimo.
Forrma parte del ajuar litúgico de la capilla ducal.
Donada por Don Manuel Ponce de León.
Parroquia de San Juan Bautista.
Marchena. Sevilla.
htmlText_DBE49F9D_D4B9_AB2B_41DA_8AE8C39B57CA.html =
Talla de madera policromada y dorada.
S. XVI. Escuela flamenca.
Anónimo del taller de Malinas (Belgica).
Convento de San Andrés.
Marchena. Sevilla


htmlText_DE304ADA_D32A_02CD_41A1_DDD67994B0EC.html =
Óleo sobre lienzo. Marco de madera dorada y s. XVII.
Circulo de Ribera.
Réplica del original de 1624 del museo de Filadelfia.
Colegio de Santa Isabel (excolegio de la Encarnación)
Marchena Sevilla.
htmlText_C7AAD188_D467_5729_41E2_FB614E1F3EFC.html =
Óleo sobre lienzo. Marco madera policromada.
Primera mitad del s. XVII.
Pintura flamenca con influencia de Rubens.
Colegio de Santa Isabel
Marchena. Sevilla.
htmlText_C134B247_D468_F527_41E3_F9E6C821EBFA.html =
Óleo sobre lienzo.
S. XVIII. Anonimo.
Promovió la fundación del convento de la Concepción, 1624.
Convento de la Purisima Cocepción.
Marchena. Sevilla.
htmlText_F7708895_E639_7F6D_41A6_ED87E506A22E.html =
Se encuentra dentro de la Hospedería, un patio interior del siglo XVII porticado con columnas de piedra caliza. Rodeado por trece habitaciones confortables, el visitante encuentra un lugar adecuado para el descanso, la oración y el estudio.


Reservas: Tel. 954 843 983
https://clarisas.es
htmlText_DEB6125D_D33A_1DC7_41C9_32FEC7EB7F80.html =
Óleo sobre tabla.
Marco de madera dorada y policromada.
Segunda mitad del s. XVI. Circulo de Luis de Morales.
Convento de San Andrés.
Marchena. Sevilla.
htmlText_E9B02417_E619_176D_41E6_E8603D9AEF43.html =
Venta de dulces caseros, hechos por ángeles.
Pedidos: Tel. 954 843 983
https://clarisas.es
htmlText_D53C21E6_C565_9439_4192_B072EEB75362.html =
Oleo sobre lienzo. Marco de madera dorada y s. XVII.
Relacionado con Pantoja de la Cruz.
Colegio de Santa Isabel (excolegio de la Encarnación)


Marchena. Sevilla
htmlText_D7E5C636_C4A5_9C19_41D3_977EAD10FFD3.html =
Óleo sobre lienzo. En marco de madera dorada y s. XVII.
Circulo de Rivera.
Es el único cuadro que se cita literariamente en los inventarios y que tengamos la certeza de que estuvo en palacio. Se da como original de Ribera y se descrive el marco con moldura dorada y negra caracteristica de Nápoles. Debe ser una réplica de taller del original que se conserva en el Prado (primera mitad del siglo XVII) Adquirido por Fernando VII el marquez de Alcántara. Muestra la relación del maestro con los duques de Arcos durante el Virreinado en Napoles.


Iglesia de San Agustin. Marchena. Sevilla.
htmlText_C25CFCE3_D0D6_F6CE_41C9_8CEE172C759D.html =


### Título window_DEB5E258_D33A_1DCD_41E0_ACAAAA360527.title = Nazareno window_D68E4B72_C5A3_9419_41E6_3F3B4138174D.title = San Andrés window_DBFA48C6_D4A8_D519_41D2_3896157F480B.title = Cabeza de San Juan Bautista. window_C16043A3_D36E_0343_41C8_4AE36E7AB427.title = Cruz de Altar window_E9B25417_E619_176D_41E9_E60663399204.title = Dulces de Convento window_F7769895_E639_7F6D_41E4_4E98B0D31C4C.title = La Hospedería Santa María window_C4CBD73B_D4A7_5B6F_41E3_33BD6DBA8588.title = Marco relicario window_D7E60636_C4A5_9C19_41D8_CE38AECB2D5E.title = San Agustin en oración window_D53A71E6_C565_9439_41D0_7F5514A63078.title = San Ignacio de Loyola window_C25F0CE2_D0D6_F6CE_41A2_C11F4C833E91.title = Santa María de la Mota window_C1324247_D468_F527_41E0_0A021E31C17F.title = Sor Maria de la Antigua. window_C7A80188_D467_5729_41E4_DC145195300C.title = Triunfo de la Eucaristia window_DBE52F9D_D4B9_AB2B_41AE_AD2F357DBB2A.title = Virgen con el Niño window_C6BCF59A_D46B_5F29_41E7_7B717505231B.title = Virgen con el Niño y Santos window_DE366ADA_D32A_02CD_41C2_466F7169296A.title = Virgen de Belén window_DA0D506C_D4A9_55E9_41E4_18CE85FDD5F6.title = Virgen de Trapani